Rosey was in a strange mood the other evening. It seems that
someone had had said something unpleasant to her during a drama class at her
school. As you know Rosey takes her position as classroom assistant to Sally
Blackley very seriously, and when she was asked by Sally to take part in a
junior version of Shakespeare’s Romeo and Juliet she was in her element! At the
time she thought that being too keen was probably not such a good idea, so she
answered the request with a line from the bard himself – ‘to be or not to be’
she asked, ‘that is the question – Hamlet act three scene one!’ Anyway, she
agreed ‘to be’ and a few days later rehearsals began.
You may recall that I told you about her
contribution to the school Christmas play a couple of years ago. She went from
being a production assistant to playing a major role, that of the first palm
tree on the right next to the principal alien.. Ever since then, the children
have insisted that she joins them on stage at every possible opportunity!
Clearly, despite her youthful looks, she was a bit too old to play the part of
Juliet, much to the chagrin of young Jamey Fothergill who had landed the part
of Romeo.
One of the other teachers, Francis
(known as Frigid Fran behind her back) always treated Rosey with disdain;
clearly she thought that Rosey was beneath her being no more than teacher’s
assistant, and was observably jealous of her popularity among the staff and
students. She couldn’t understand why she should have a stage part in what was
meant to be a kid’s production. ‘For you and I are past our dancing days’ she
said. ‘From act one scene five I believe!’ retorted Rosey putting Fran firmly
in her place. She then suggested that Rosey play the part of Rosaline, the
character Romeo has a crush on in the early part of the play. Rosey was initially
delighted! But then she suddenly remembered that Rosaline has a non-speaking
part and never even appears on stage.Sally tutted at Fran and suggested that
Rosey play the nurse, one of the funniest yet most disturbing characters in the
play.
It seems that Rosey’s presence
among the cast was having an inspirational effect on the young thespians. ‘O!
She doth teach the torches to burn bright’ said Sally to Fran quoting a line
from the play. ‘Act one, scene five’ called Rosey from the wings. Fran was visibly
riled.
The first rehearsal was a triumph. Sally was delighted with Rosey’s contribution; Fran less so. The children fled from the room visibly excited and enthused by the events of the afternoon.
The first rehearsal was a triumph. Sally was delighted with Rosey’s contribution; Fran less so. The children fled from the room visibly excited and enthused by the events of the afternoon.
As Rosy was putting on her coat
on, Fran sidled up to her. ‘You are as a candle, the better burnt out’ she
hissed.
‘Henry the forth part one’
said Rosey ‘and you are loathsome as a toad’.
‘Ah’ said Fran ‘Troilus and
Cressida! Peace ye fat guts’ she shouted. ‘Henry the forth part one again’
chuckled Rosey.
‘Parting
is such sweet sorrow – not’ said Fran as she left the room.
After
Rosey had finished telling us about the strange events of the afternoon she
opened a bottle of her favourite Chardonnay and visibly relaxed. I don’t know
much Shakespeare so the best I could come up with was something along the lines
of ‘sticks and stones may hurt my bones but words will never hurt me’.
‘Yes’ said Rosey, ’but a blow with a word strikes deeper than a blow with a sword’
‘Yes’ said Rosey, ’but a blow with a word strikes deeper than a blow with a sword’
'Who
said that?' I asked. 'Aint got a clue' said Rosey,'Cheers!'